Bradford on Avon was an important religious centre in Saxon times and St Laurence’s Church is an ancient building, thought to be one of the most complete Saxon buildings still in existence.
The twelfth century historian William of Malmesbury reports that it was standing in the 1120s, but he thought it dated back to the time of St Aldhelm who died in 709. A charter of King Æthelred granted Bradford to the nuns of Shaftesbury in 1001, and the church’s architecture suggests it was built for the nuns early in the eleventh century. It is a characteristic Anglo-
For centuries the Saxon church was effectively lost, being hidden behind buildings of various other establishments. It was used in 1715 as an ossuary and in the 1800s it became a free school for boys. The blackening of the nave walls from the kitchen fire can still be seen.
Repair work carried out in 1856 revealed two carved stone angels over what is now known to be the original chancel arch, and this led to its being recognised for what it was, namely a late Saxon building, by Canon WH Jones, a noted historian who was Vicar of Holy Trinity at the time. Canon Jones brought it to public attention and led the move for its restoration. Although Canon Jones later read William of Malmesbury’s comments and decided that it may have been built much earlier by Aldhelm, it now seems more likely that Aldhelm’s church would have stood somewhere on the site of the present Holy Trinity. Canon Jones’s description of the church can be read in a 1907 book, locally published, on the history of Bradford on Avon.
The Church of St Laurence is now used as a place of worship by the congregation of Holy Trinity, as well as by other Christian groups. In 2012 the Trustees commissioned a new sculpture for the east wall of the chancel from the sculptor John Maine to replace a damaged Saxon cross. His approach to the new work is described in an article which he wrote for the December 2012-
Some of the details above are taken from a 1998 leaflet published by the Trustees of the Saxon Church, ©Jonathan Pitt.